Wednesday, June 6, 2012

Ask O: Falling in Love with Romance


Happy Wednesday, my writing friends,

A few weeks ago I had the great honor to sit on a panel with other romance novelists at the NorthwestChristian Writers’ Association’s annual conference, Writer’s Renewal. Such fun to talk about the different nuances and elements involved in good Christian romance.

So, I thought I’d take a few weeks to share some of the questions we discussed (and some we didn’t have time for) with my Wednesday peeps (that’s you!).

How did you get started writing Christian romance?

Funny…I didn’t set out to write romance. I wasn’t passionate about it, and I rarely read a “romance” (although I always loved a romantic thread). I had bigger, broader ideas—an epic historical tickled my fancy, with multiple points of view and interweaving plotlines.

I think we authors often long to start our writing careers by penning that "Great American Novel." We want to be Steinbeck or George Elliot or Bodie Thoene or Jack Cavanaugh. As I struggled to craft my big hunkin’ ideas, I realized I wasn’t ready to intermingle so many POV characters and story arcs.

So I decided to simplify. A boy. A girl. Each with an external and internal conflict to overcome in order to ultimately embrace love. That I could handle.

Along the way, I found out romance is super fun! I fell in love with it, actually, and hope to happily camp out here for a while.

Why do you enjoy writing romance?

First, within every good romance novel lies a big obstacle. For us to care, something must block the hero and heroine from getting together. As the author, I get to mess up their lives, force them apart, throw in roadblocks! Fun!

Second, good romance novels require attraction between the hero and heroine. It’s a puzzle to create two characters who “go” together. What does George lack that Mary fills? What makes them seem opposite (to create conflict), yet actually tugs them closer (so they can be together)? Figuring this out also raises my fun level.

And, finally, of course, the shmushy-gushy, lovey-dovey stuff. The kissing, loving words, gentle tracing of his fingertips over her lips…

Yeah, that’s fun too. (Tee hee hee!)

Haven’t tried writing romance? Give it a try. And tune it next week for part two. We’ll discuss the question: What are the key elements of a successful romance novel?

God bless and happy writing!

Ocieanna




Tuesday, June 5, 2012

Taking Your Writing Seriously by Deborah Raney


Whether you are published or not, if you desire to write and routinely take part in the action of writing, you are a writer! But how can you continue to view writing as a calling or a career, before you have "evidence" of published work, and despite the discouragement of rejections?

To slightly paraphrase Romans 12:6-8: God has given each of us the ability to do certain things well. So if God has given you...[an ability]...take the responsibility seriously!

You can't use your talent for God's intended purposes if you don't first develop your skills through study and practice, and then pursue avenues where your gift can be used.

While I worked on my first novel, I told only a handful of my most trusted friends and family. To be honest, the reaction of some caused me to be even more secretive about the "silly little hobby" I'd taken up! It was hard to justify 5-7 hours a day spent writing, when I had no idea whether my work would ever see the light of day.  

And yet, who, upon beginning piano lessons, or medical school or flight instruction, would feel guilty about time spent trying to realize a dream? Why should pursuing a writing career be any different? Whether you've been published or not, you have every right to take your desire to be a writer seriously.

Here are some suggestions I believe will help you––and others––view your career/calling with the respect it deserves.

  • Set aside a separate place to write. This can be a dedicated office or a corner of the kitchen table, but it should be a place you can leave the tools of your trade set up so you can grab writing time whenever opportunity arises. 
  • Organize your office space.Even if you are not yet ready to seek publication, keep detailed records of what you're writing and where you've submitted each work. From letters, poems, magazine articles, short stories…everything you write is part of your "opus." Many times, I've pulled bits and pieces of an old writing project to incorporate into a new work. A publication once paid me several hundred dollars for an e-mail I'd sent to a writers' loop. Of course I jazzed it up a bit before submitting, but hey…not bad for an e-mail!
  • Start small. Use your talent as a writer to influence and encourage through letters to the editor, e-mails to politicians, notes to friends and family. Volunteer to write your church or neighborhood newsletter. Any time you use your writing––no matter how low (or non-existent!) the pay––you're perfecting your skills. And you never know––a letter to the editor might lead to an offer to write a newspaper column.
  • Invest in subscriptions to writing magazines. Start a collection of writing and research books. You'll learn much about the publishing industry and gather tips on the craft and business of writing. And remember, when you're attempting to get a writing career off the ground, anything you spend on that pursuit––from reference books to office supplies to mileage, etc.––is tax deductible. Talk to an accountant about the tax advantages of having a business that is UNprofitable for a few years!
  • If you're not already in a critique group, find (or start) one. One of the marks of a working writer is being able to accept an honest critique. I know very few successful writers who don't depend heavily on others to critique/edit/proofread their work. 
  • Join a local writers' group. Even the small town where we lived when I first started writing had an active writer's group. I doubt it was a coincidence that there were six published authors in that town of 3500. If your area doesn't have a writers' group, start one! 
  • Start saving now for a writer's conference. These conferences can be expensive, but they're an investment you'll never regret. Besides invaluable workshops, the contacts you make with editors and publishers are priceless.
  • Enter writing contests. Besides the possibility of winning awards that may garner the attention of an editor or publisher, entering contests forces you to write and write well. And if you succeed, it's a boost to your confidence.
  • View rejection letters as proof you are a "real" writer. The writer who never submits may not face the disappointment of a rejection, but neither does he have any chance of experiencing the elation of landing a contract. And save those rejection letters. They serve as a record of what you've submitted and what the response was (and may also serve as proof of your efforts should you be audited by the IRS.) Besides, it will be fun, someday, to read those rejection letters and quietly thumb your nose at the publishers who turned down your bestseller! (Do not send letters. I'm only kidding on that last part!)


Deborah Raney dreamed of writing a book since the summer she read Laura Ingalls Wilder’s Little House books and discovered that a Kansas farm girl could, indeed, grow up to be a writer. After a happy twenty-year detour as a stay-at-home mom, Deb penned her first novel, A Vow to Cherish, which won a Silver Angel Award and inspired the acclaimed World Wide Pictures film of the same title. Since then, her books have won the RITA Award, HOLT Medallion, ACFW Carol Award, National Reader’s Choice Award, as well as twice being finalists for the Christy Award. Deb teaches at writers’ conferences across the country. She and her husband, Ken Raney, love small-town life in their native Kansas, the setting for many of Deb’s novels. They have four children and four precious grandchildren who all live much too far away. Visit Deb on the Web at www.deborahraney.com.

After All: A Hanover Falls novel
Eighteen months after the tragic Grove Street Fire took the life of her husband, David, and four other heroic firefighters, Susan Marlowe thinks she’s finally beginning to heal.

But then she discovers that David carried a secret to his grave.

A secret that changes everything she thought their marriage had been.

For the sake of their sons, can Susan forgive the unforgivable?

Andrea Morley lost her closest friend in the fire. But she has no right to mourn him. 
Instead, she must forever grieve in silence—because her dearest friend was someone else’s husband. Peter Brennan carries the weight of the world on his shoulders. As Hanover Falls’ fire chief, he was responsible for the brave firefighters who lost their lives that awful November night.

Can he ever shake the feeling that he should have somehow prevented the tragedy?

As he tries to rebuild the team at Clemens County’s Station 2, it seems he might find comfort in the arms of the woman he least expected.


Monday, June 4, 2012

Deep POV: Lesson One by Karen Witemeyer

Happy Monday, writers. Today, Karen Witemeyer is visiting to begin a new series on Deep POV. As an editor, I see this come up a lot. POV takes time to master. Thankfully, Karen's here this month to help simplify it for us. Read on!

How to Increase the Intimacy Between your Characters and your Readers

When Annette invited me to Seriously Write to do a series of mini lessons, I knew right away what I would like to share. In my opinion, mastering Deep POV (Point Of View) is one of the best ways to catch an editor's eye and a reader's loyalty.

Many of my readers have told me that one of the reasons they enjoy my books is because my characters feel so real. This is directly tied to deep POV.

During this series, we will discuss what deep POV is and then spend most of our time working on practical ways to incorporate it into our writing. Even experienced authors can benefit from the reminders. As I was working on putting this material together, I found myself going back and editing passages in my current manuscript to deepen the POV. I need the reminders as much as anyone.

What is Deep POV?

* Deep POV is being so far into the head and emotions of your character that you write in her voice instead of your own. 

This goes beyond adding the occasional direct, italicized thought to the point where the narrative itself takes on the personality of the POV character. It puts the reader in the character's head instead of relying solely on action and dialog to determine the character's motives and opinions.

* Deep POV cultivates the intimacy of 1st person while allowing the flexibility of 3rd person.

With deep POV, you can have multiple POV characters, like the hero and heroine in a romance, but each POV voice must be distinct. Just as in crafting dialog, the narrative voice should be unique to each character.

* Deep POV is the ultimate way to show in show vs. tell.

Readers don't just listen to the story; they experience it directly with the characters. They feel the characters' emotions firsthand and are privy to their thoughts. This draws the reader in and bonds her to the characters so that she becomes personally invested in the story's outcome.
 
Next week: How to capture the voice of your POV characters.

~~~~~ 

Short-Straw Bride released June 1, 2012.

No one steps on Archer land. Not if they value their life. But when Meredith Hayes overhears a lethal plot to burn the Archer brothers off their ranch, a twelve-year-old debt compels her to take the risk.

Fourteen years of constant vigilance hardens a man. Yet when Travis Archer confronts a female trespasser with the same vivid blue eyes as the courageous young girl he once aided, he can't bring himself to send her away. And when an act of sacrifice leaves her injured and her reputation in shreds, gratitude and guilt send him riding to her rescue once again.

Four brothers. Four straws. One bride. Despite the fact that Travis is no longer the gallant youth Meredith once dreamed about, she determines to stand by his side against the enemy that threatens them both. But will love ever be hers? Or will Travis always see her merely as a short-straw bride?

~~~~~

Two-time RITA® Finalist and winner of the coveted HOLT Medallion, CBA bestselling author, Karen Witemeyer, writes historical romance fiction for Bethany House, believing that the world needs more happily-ever-afters. She is an avid cross-stitcher, shower singer, and bakes a mean apple cobbler. Karen makes her home in Abilene, TX with her husband and three children. Learn more about Karen and her books at: www.karenwitemeyer.com.

Friday, June 1, 2012

Finding Your Voice by Siri Mitchell


Every once in awhile, an article pertaining to writing stands out and speaks to my heart in a special way. Today is one of those days. I’ve enjoyed and respected Siri Mitchell’s work for some time. And I was both challenged and encouraged by her words today. Enjoy!
 ~ Dawn



Finding Your Voice
by Siri Mitchell

If you want to write a novel, you can enroll in all kinds of conferences, and workshops, and classes on how to do it. But there’s one thing that no one can help you with. And if you can’t figure out that one thing, you’ll never be able to sell a book...even if you have the perfectly crafted plot and exquisitely drawn characters. That one thing is voice. If you don’t have voice, you don’t have anything.

A novelist’s voice is what distinguishes her work from everyone else’s. Sometimes it can take a long time to find. The problem with writing, as in so many things, is that there’s a learning process to go through. Lots of writers start out by, well...writing. Once they overcome a fear of criticism, they take that writing to a critique group or workshop. They grit their teeth, get feedback, cry some tears, screw up their courage and make the suggested changes. Then they take it back to the critique group or workshop. And repeat the process. Again and again and again. But what happens when it’s time to send the piece out on query? There’s nothing vital left in it. Though it might not break any rules and it might be just what everyone’s looking for, it has no personality, no unique voice. It’s all been edited out.

A writer’s voice is never really created. It can be developed of course, but first it has to be found. The problem with voice is that it requires something of the author. Actually, it requires everything. You have to make sacrifices in order to grab hold of your voice. You have to stand apart from your critique group, check out of your workshops, and figure out for yourself what you as an individual have to say to the world. And not only that, but then you have to insist that your words have the right to be heard.

What is your voice trying to say? More importantly, do you have the courage to say it? Even if it seems like no one wants to hear it?

God made you in his image. He had something in mind when he created you. Be encouraged by the words God says to you. “My dove is hiding behind some rocks, behind an outcrop on the cliff. Let me see you; let me hear your voice. For your voice is pleasant, and you are lovely.” (Song of Solomon 2:14)

You’ve been working on your craft. You’ve been learning about structure, you’ve studied all the rules. Don’t you think it’s time now to figure out what God has given you to say? Don’t you think it’s time you loosed your voice? Finding it might require some real work and some true courage, but I hope you’re willing to do it. We need to hear you. Be encouraged: Your voice is pleasant and you are lovely.




Siri Mitchell is the author of nearly a dozen novels, among them the critically acclaimed Christy Award finalists Chateau of Echoes, The Cubicle Next Door, and She Walks in Beauty. A graduate of the University of Washington with a degree in business, she has worked in many different levels of government. As military spouse, she has lived in places as varied as Tokyo and Paris. Siri currently lives in the DC-metro area. 

You can also find her on Facebook and Pinterest