Showing posts with label Susanne Dietze. Show all posts
Showing posts with label Susanne Dietze. Show all posts

Wednesday, February 1, 2017

In A Writer’s Life, Nothing Is Wasted by Susanne Dietze

Whether a writer or not, sometimes things don't work out quite the way we'd like or in our timing. Today, author Susanne Dietze shares how one idea took eight years to come to fruition. -- Sandy 

Susanne: My first novel releases this month, and I can tell you precisely where I was and what I was doing when the idea of it first sprouted in my head. I was pulling my car into my driveway, and a song on the radio mentioned rain. Suddenly, in my mind’s eye I saw my hero, dressed in black, standing out in the rain at night, looking up at his heroine’s window.

This happened over eight long years ago, by the way.

At the time, my hero was a secondary character in a novel that never worked out. He had a different name and I had a different plan for him. I don’t know quite why he popped into my head at that moment, but when he did, I couldn’t help wondering, why would he stand out in the cold rain like that, dressed in black?

Answering that question resulted in The Reluctant Guardian, but like I said, it took a long time.

My first attempt with the story of the man in black finalled in a contest, but something wasn’t quite right with the story. As time went on, I set it aside when I received other writing opportunities. Nevertheless, that story about the man in the rain was still in my heart and I wrote, rewrote, tweaked and revised as I was able.

About a year ago, after a conversation with an editor at Love Inspired Historical, I submitted the manuscript, and a few weeks later, I was offered a contract. It all happened quickly, but the years leading up to it had me wondering if the story of the man in black would ever be seen by anyone but me.

It’s been a reminder to me that nothing is wasted in God’s economy. In the years between parking my car and imagining of the man in black to the day when my book hits shelves, I’ve learned about storytelling, the industry, plotting, dialogue, and setting. Writing my first failed novel was excellent practice. Rewriting and tweaking The Reluctant Guardian helped me grow as a writer, too, and it’s comforting to know that our mistakes and detours are still important parts of our journey.

That’s given me fresh perspective on my writing tasks. Rejections can be tools for learning; postponements can be valuable teachers. Nothing is wasted if I view obstacles as ways to guide my thinking and growth.

And it’s made holding my book all the sweeter.

Is there a dream you never thought you'd see realized that was only a matter of waiting?


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Susanne Dietze began writing love stories in high school, casting her friends in the starring roles. Today, she's the award-winning author of a dozen new and upcoming historical romances. A pastor's wife and mom of two, she loves fancy-schmancy tea parties, the beach, and curling up on the couch with a costume drama and a plate of nachos. You can visit her on her website, www.susannedietze.com, and sign up for her newsletter for an occasional cheery hello: http://eepurl.com/bieza5

The Reluctant Guardian Blurb:

When Gemma Lyfeld inadvertently interrupts a dangerous smuggling operation in her English village, she's rescued by a mysterious Scottish spy. Now with criminals after her and her hopes for an expected marriage proposal recently dashed, she will make her society debut in London. But not without the man tasked with protecting her… 

Covert government agent Tavin Knox must keep Gemma safe from the criminals who think she can identify them—a mission he never wanted. But as he escorts her and her rascally nephews around London, the lovely English lass proves braver than he ever imagined. Suddenly, the spy who works alone has one Season to become the family man he never dreamed he'd be.

Links:
Twitter @SusanneDietze

Facebook.com/SusanneDietzeBooks

Wednesday, June 3, 2015

A Thing of the Past: Finding Inspiration from Objects by Susanne Dietze

Where do writers come up with their ideas? Need a writing prompt? Author Susanne Dietze gives some insight into how she came up with her idea for her debut novella. -- Sandy

Susanne: I’m a museum nerd, one of those who loves strolling through exhibits, reading plaques and, on occasion, taking photos of displays (when allowed) so I can soak up every juicy detail of whatever it is I’m admiring. One look at a landscape, snuff box, dress with panniers or potpourri vase and my imagination goes bonkers. Who used the item? How did they feel about it?

Sometimes, that’s how the germ of a story forms. Connecting to Things (for lack of a better word) has set me on paths of research that have molded my stories—including my historical romance novella, Love’s Reward, from The Most Eligible Bachelor Collection.

In that particular case, a hundred-year-old pencil sketch on tracing paper caught my eye and got me thinking.

The premise of my novella required my hero’s involvement in competitions—both professional and personal—which take top priority in his life until a rival offers a reward for the capture of his heart (the only safe female in town, of course, is a charity-minded miss whose only designs are on the hero’s wallet).

Finding a personal contest for my hero was easy, but I wasn’t certain about my hero’s professional challenge. I wanted him to be an architect with a goal, such as winning a commission or a local prize. However, I didn’t know much about his field in the 1800’s. Rather than start looking for articles on the subject, I first peeked at Ebay and Google Images to get a glimpse of architecture tools and buildings from that era.

That’s when I stumbled upon some pencil and pen-and-wash architecture submissions to a global contest held in the 1890’s. (The copyrighted submissions can be viewed here.) In 1896, mining and real estate heiress Phoebe Apperson Hearst (mother of media mogul William Randolph Hearst) granted a gift to the University of California, Berkeley, allowing it to hold an International Architectural Competition to determine a master plan for the campus’s buildings and grounds. Over a hundred architects from all over the world competed for the honor.

I was enraptured by those submissions and could imagine my hero busy with his own proposal—and my story fell into place. I had a time and setting for my novella (1896, in Hearst’s San Francisco), data on how architects worked in the 1890’s, and a conflict with much higher stakes than I’d originally planned—all inspired by a Thing I’d seen online.

Ironically, I fictionalized the Hearst Competition as well as the name of the university for my novella, but I felt confident knowing there was a historical precedent for events in my story.

Not everyone is a visual learner, like I am (some of us are auditory or kinesthetic), and not all of us write historical fiction. Nevertheless, looking at Things related to our stories is a form of research that can add depth and detail to our works-in-progress. Whether it’s found in an illustrated guide (even ones for children!) or a site like Ebay, Things can be used to help guide our investigation—at the very least. At best, a writer might find the item sparks the imagination.

And a Thing of the past becomes a vibrant part of a living story.


Do you have a favorite treasure passed down through your family?



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Susanne Dietze is a pastor’s wife and mom who began writing love stories in high school, casting her friends in the starring roles. Today she writes in the hope of encouraging and entertaining others. You can visit her on her website, www.susannedietze.com.

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