Thursday, February 6, 2014

Pass It On by Susan Tuttle

Image Courtesy of Ambro/FreeDigitalPhotos.Net
I was helping my son with his schoolwork recently, and we were studying about Samuel. He was a great man. An amazing prophet who God used to not only anoint Saul as King, but be a spiritual leader to Israel.

And he didn’t miss a beat. The man loved the Lord and carried his calling very seriously. He was dedicated to the Lord by his mother, Hannah, (one of my favorite stories) before he was even born. Raised under the priest, Eli, Samuel recognized God’s voice from a very early age and followed it willingly. He rallied under the passion God had given him to reach Israel and lead them as a Judge.

He pointed them to God. Helped them walk in His ways. Encouraged and uplifted the people with the sole purpose of bringing their focus to God. It was, in essence, his calling.

Except, in all his zeal, could he have missed something?

1 Samuel 8:3 says “…but his sons did not follow in his ways.”

He’d reached an entire nation, but missed his own children.

Now, I have no way of truly knowing if Samuel was a present parent or not. If he spent as much time teaching them about God as he did with Israel, and they simply chose another path. Believe me, I know this happens, and it is heart-wrenching. But as I read the story with my son, caution stepped in. A warning if you will. See, Samuel was so focused on carrying out his calling, that it’s equally as possible he missed bringing it to his family.

How do I know this? Because I am passionate about writing. Can anyone here relate? And writing for the CBA market isn’t strictly about entertainment. We write with a message, with a calling. We write to encourage other Christians and point non-believers to Christ. It’s an amazing purpose that we could so easily lose ourselves in because we see the value of it.

Problem is, the people in our immediate reach are our first mission field. If I write a bestseller that reaches a million plus people for Christ, but I neglect to show Him to my family or lose them in the process, what have I gained? Oh, I desperately want to reach an unsaved world, but not at the cost of my husband feeling neglected or my children never knowing Christ.

Please hear me, I’m not saying we don’t have deadlines, or that God hasn’t called you to write what’s before you. I am saying he’s placed your family around you for such a time as this. That God holds time in his hand, and He’s capable of proportioning it into the perfect amounts if you seek Him over what those are.

And I guess that’s where all this is going. Learning to balance your calling with the people he’s placed in your immediate sphere. Being present in their lives, so they don’t miss the presence of the One who created them. What you share with them is as important as the message you’re typing with hopes of reaching the masses.

Don’t let that calling pull you from the people within arm’s reach.


Pass it on.
Susan Tuttle
Susan Tuttle is a homeschooling mom of three who is crazy about coffee, dark chocolate, and words—both reading and writing them. Combine that love of words with her passion for leading women to a life-changing encounter with Christ, and you’ll find her crafting Inspirational Contemporary Romance stories laced with humor, love, and healing transformations. When not cheering on her Ironman hubby, chasing the family dog, or tackling complex math problems to teach her kids (yes, even the third grader), you can catch Susan at her blog, Steps.

Wednesday, February 5, 2014

Why Should Writers Read Newspapers? by Sandra Ardoin

Newspapers can be a valuable research tool. While I’m writing the following from the viewpoint of a historical writer, most of the tips can apply for those who create contemporary stories.

Over the past few years, libraries, historical societies, and archives from thirty-seven states and the District of Columbia
Image Courtesy of Grafixar at morguefile.com
have contributed to a partnership between the National Endowment for the Humanities and the Library of Congress to form a national database that makes historic newspapers public. That database can be found on the Chronicling America website.

Since these organizations submit digitized issues to Chronicling America, not all newspapers are listed on the site. The available dates range from 1836 to 1922, though there are search mechanisms for finding additional papers in various archives. Search by date or keyword.

To illustrate some tidbits of what you’ll find and reasons why searching newspapers will add authenticity and uniqueness to your story, I’ll use examples from one page of an actual newspaper found on Chronicling America: The Madisonian from Richmond, Kentucky, February 3, 1914.
  • Story Ideas – Has your well run dry? Do you need something to stir your imagination? Try this headline: “Post Office Robbed at Crab Orchard.” Twelve hundred dollars in money and stamps were stolen from the post office after nitroglycerin was used to blow the safe. No one heard the explosions because the perpetrators used mail bags to muffle the sound. It was assumed the robbers got away on an early train. But what if the thieves didn’t blow the safe for the money? What if there was something in the post office they wanted or wanted to destroy, something incriminating, perhaps. Who? What? Why? When (it could happen today)? Historical and contemporary writers, are the creative juices flowing? 
  • Cultural/Social Attitudes – On Wednesday, Edward Baxter Perry gave a highly touted classical programme and lecture to a “large and cultured audience.” On Sunday, Dr. E. B. Barnes sermonized on “Marriage and Misery” at the Christian church and expressed his view that those who were miserable in their union should be allowed to divorce through the civil courts. The next week he would preach on “Marriage and Happiness.” 
  • Weather/Farming Reports – Unlike today, most early newspapers did not have an official section for weather reports and forecasted temperatures. However, sometimes we’re given an indication of the weather through a particular article. A small paragraph about the groundhog seeing his shadow advised people to look out for “squalls, bursted water pipes, and plumber’s bills.” 
  • Political News Both Local and National – Presidential executive orders have been in our news quite a bit in recent months. The Madisonian ran a paragraph stating that President Wilson signed an executive order for a permanent government for the Panama Canal Zone and gave the person he named as the first civil governor. 
  • Prices – A three-line tidbit advertised signs for sale through the newspaper. Available were “For Sale,” “For Rent,” and “Furnished Rooms for Rent.” Prices for the cards were ten and fifteen cents. 

Here are some additional facts I’ve uncovered in the past while looking through old newspapers:·         
  • Railroad schedules that have come in handy when I want a character to travel from one location to another
  • The yearly subscription cost of a newspaper
  • Advertisements for various businesses and products (including the infamous patent medicines)
  • Period names/Terms/Turns of Phrase
  • Businesses of the day and some of the goods they carried, along with prices
  • Jokes and humor of the period
  • Parenting/Marriage Advice


Even if you’re writing a contemporary story, scour the newspapers in the vicinity of your setting for little tidbits that make your story come alive. It could be local businesses or products, parks, local government, etc.

Do you regularly check newspapers (old and new) for facts and ideas for your stories? Have you found something interesting that hasn't been mentioned above?

~~~

As well as being the Wednesday hostess on the Seriously Write blog, Sandra Ardoin crafts stories with stalwart heroes who melt the hearts of strong, sometimes unconventional heroines. Connect with Sandy on various social media sites and at sandraardoin.com.

Tuesday, February 4, 2014

Is Your Guy a *Guy*? by Ronie Kendig

Ronie Kendig
A few years ago, a brand-new author leaped onto the scene. I loved the author’s concept for the debut novel, and I jumped to read it. Just one problem: the author did not know how to make the male character sound like a male. Repeatedly, the character talked and acted like a female. I had to readjust my framework and remind myself—the protagonist is a male. The protagonist is a male.

Writing is a literary expression of who we are, what we feel and how we think, which may explain why many female authors find it so difficult to write male characters. I think it would be correct to say that in order to accurately write the male POV, one must understand the way men think (I hear many ladies snickering right now). In a world were roles are being redefined, some of that is bleeding into fiction, into the way we write characters. In my quest to understand how to best write gender-appropriately, one author told me she writes men the way she'd like them to be (doing laundry, helping with dinner...). The key to remember in writing male characters is that: It's really, truly okay for a male character to be MALE!

That line of thought led me to the Gender Genie and Gender Guesser, online programs that analyze chunks of writing to determine the author’s gender. The algorithm is based off a study done between Moshe Koppel, Bar-Ilan University, Israel, and Shlomo Argamon, Illinois Institute of Technology (full study findings here), which found indicators within documents that were distinctively male and distinctively female.

When I teach at conferences and workshops, I remind authors that every element of their scene should reflect that character, but I would also add that the composite of those choices will lend itself to determining your character's gender. Not just the dialogue (which is imperative) but the narrative and internal thoughts. It’s great if your male character sounds like a guy, but if they are thinking like a woman, there’s a disconnect.

Here are some tips to keep your male sounding like a guy (and remember, some are generalizations)

  • Men are one-box thinkers (see the Mark Gungor video http://www.youtube.com/watch?v=ZoqpjOZxf2M) – They say what they mean and focus on one topic. Typically, there’s no reading between the lines. Which brings up another thing I've often seen. The hero is running for his life, dodging bullets and IEDs...yet the female author has the guy thinking about his love for the heroine and how she makes him feel. Sorry. Not happening. Guys are not only one-box thinkers they're action oriented, doers. He's not thinking about shifting relationships. He's thinking about NOT DYING!
  • Sentence structure – Because they are one-box thinkers, men often take the shortest possible route—to make their point, in driving, in dialogue. So keep their dialogue short.
  • Men tend to state demands (“Give me an iced tea.”) rather than preferences (“I’d like a Diet Coke, please.” ) the way a woman would.
  • Action choice – make sure your word choices to describe actions are appropriate (have your male character, stalk, stomp, across a room). I cringed the day I read a story where the guy “giggled.” Please, please, don't have your guy giggle (unless it's a plot point). Girls giggle. Guys chuckle.
  • Word Choices – This should be weighed carefully whether writing a female or a male character because our word choices indicate much about us—career, background, and yes, even gender. It’s not uncommon to hear me use military lingo in everyday conversation, but that's not something you'd hear from someone who'd n ever been around the military.
  • Dialogue Length – The length of your narratives, dialogue, and sentences will probably be shorter, more concise when writing a male character. As writers, we’re naturally verbose. We have a lot to share with our audience, but don't let the author speak. Let your GUY speak! Men aren’t as talkative.
  • Men are internal thinkers, so much of what a character might work through should be done internally. . .but remember—men are THINKERS (generally), not FEELERS. So they aren’t often thinking about how they’re feeling. They’re thinking through logistics and a plan of action. (Don’t misunderstand—it’s okay to have your male character thinking about his feelings for a woman, but really—keep it short(er) and concise.)
Those are the quick tips to keeping a male character sounding like a guy. Men are a bit more complex than that, but those tips will go a long way in maintaining a solid masculine voice in writing the male POV. The point is, while generalizations about males and females are often exaggerated, they are based in truth—there are differences in the way men and women talk and think. Writers have the daunting task of translating the known differences into plausible, compelling fiction and characters.

Just remember: let your guy be a guy.
About the Author
Ronie Kendig is an award-winning, bestselling suspense author who grew up an Army brat. After twenty-plus years of marriage, she and her hunky hero husband have a full life with four children and a Maltese Menace in Northern Virginia. Author and speaker, Ronie loves engaging readers through her Rapid-Fire Fiction, which includes the highly acclaimed Discharded Heroes series, the adventurous A Breed Apart series, and the much anticipated Quiet Professionals series.

Ronie can be found at www.roniekendig.com, on Facebook (www.facebook.com/rapidfirefiction), Twitter (@roniekendig), and Goodreads (www.goodreads.com/RonieK).

Beowulf: Explosives Detection Dog
by Ronie Kendig
A fiery handler. Her tough bullmastiff. A mission like no other.

Beowulf—a hulky, brindle-coated bullmastiff—is the only “boy” for Timbrel Hogan. And she has a history to remind her why. But when Timbrel, a handler at A Breed Apart, embarks on a mission to detect WMDs in Afghanistan, she reunites with Tony “Candyman” VanAllen and her no-other-man philosophy is challenged. While tension mounts between Timbrel and Tony, the team comes under fire after Beowulf gets a “hit.” When tragedy threatens Tony’s career and Timbrel’s courage, they must maneuver through an intricate plot and a mission like no other. . . .

Buy Beowulf: Explosives Detection Dog Now!

Monday, February 3, 2014

Dreams and Determination by Annette M. Irby

Sky view through window*
Dreams and Determination

Hey, writers! How many of you caught the Big Game yesterday? I did, which is unusual for me. Generally, I’m not a football fan. But I was caught up in the message the Seahawks kept repeating this season: “Why not us?” They had an amazing season, so when they made it to the Big Game, I had to watch. 

WHY NOT US 

You see, Russell Wilson is their quarterback and he’s unashamedly Christian. He tells the story of how his father used to say to him (Russell stands 5’11”), “Why not you, Russ?” In other words, don’t let perceived limitations stop you. Russell took that message to his teammates, and it became their motto: “Why not us?” 

I learned something else watching the game yesterday. Whenever things didn’t go the way the Seahawks might have wanted, they jumped back into the game. Determined. But when the Broncos (this is just an observation; don’t hold it against me, dear writers) didn’t see things go their way, I saw a lot of head shaking. That’s a different attitude, and I wonder how much it contributed to their game experience. Seems the disappointment was too long a distraction while the game carried on. 

DREAM BIG

Check out this SB ad featuring Russell Wilson: 

  

GO AFTER IT! 

That encourages me. 

We writers are going for our dreams! We’re walking out our callings and setting our aspirations high. 

So, why can’t we be winners? We can work hard, learn the craft, reach out and help others, all while chasing our dreams. We can give less weight to any perceived limitations, and let God highlight the talents He gave us for His glory.

And we can chase our dreams unashamedly. 

We can write for God. Conduct our lives with integrity, and foster a champion’s mental attitude. 

Why not us? 

Why not you? 

Write on, friends! 

~~~~~~

One of your hostesses here at Seriously Write, Annette M. Irby writes fiction, edits freelance, and works in acquisitions for Pelican Book Group. She loves encouraging writers because she appreciates all that others have done for her. Learn more at her editing website or her author site. 

* Photo credit: freedigitalphotos.net Old Door by Dan