Showing posts with label plotters. Show all posts
Showing posts with label plotters. Show all posts

Monday, December 4, 2017

The Hope of the "The End" by Amy Rognlie


Amy Rognlie

The Hope of “The End”
By Amy Rognlie 

The End. What writer doesn’t love those two little words? It’s the finish line. The culmination of hours and hours of blood, sweat and tears. But the ending itself would be meaningless without all that comes before it: the process of building word upon word, scene upon scene.
When it comes to the process of writing, fiction writers often claim allegiance to one of two camps: the plotters or the pantsers. Plotters are those who plan out their story in detail before beginning to write it, and pantsers are those who, as the name suggests, dive into a story without any (or at least not much) idea of where the story is headed. Surely there are writers who are somewhere in between? Well, ye-e-e-es, but most of us lean in one direction or the other.
I’ve always been a loyal pantser, even before I knew what to call myself. I’d start writing a story with just the barest image of a character or a scene in mind. I didn’t know how to do it any differently. And hey, it all worked out in the end, so why not? Well, because in a way, I made more work for myself. Went down paths that led to dead-ends. Painted my characters into corners too onerous to escape. Dug holes I had to explain my way out of.
I find this difficult to understand, because in my “real” life, I’m definitely a planner. I love setting goals, and (mostly) enjoy the hard work and the discipline it takes to reach those goals. So why don’t I approach writing as a planner? Um, I don’t know. Maybe because doing all of that planning ahead of time makes novel writing sound more like work than fun.
But I have a confession. Now, well into writing my eighth book, I’m starting to lean more and more toward the—gasp—plotting camp. I never thought I’d see the day, but the idea of actually knowing how my book is going to end does hold some appeal. Smile. I’ve also come to realize that when I know how my story ends, all of the scenes leading up to that end are shaped—some overtly, some almost imperceptibly—by that knowledge. How could they not be?
Musing about this recently, I started drawing spiritual parallels. I can’t help it. I’m always looking at life situations and asking myself, “How does this illustrate the faith journey?”
Here’s what I came up with: Everyone, in real life, will fall somewhere on the continuum of plotter or pantser. And if we are followers of Christ, we already know the end of The Story. We might not have any idea of what will take place between now and then, but we know where we’re headed. And we know that Jesus, the Author and Finisher of our faith, has given us specific guidelines as well as general principles to follow, right?  So how do we mesh our natural bent as a real-life plotter or pantser with the everyday, in-and-out “followingness” of Jesus?
Hmm. If you’re a plotter, you’ve probably already noticed a serious problem: real life is messy. Messier than we’d like. And plot and plan as we may, our carefully outlined scripts of what life is “supposed” to be like are often ripped to shreds. Stuff happens, you know?
So what’s a plotter to do? What can a planner plan on?
Plan on God’s faithfulness. Plan on His mercy. Plan on His immutability in the midst of an ever-changing world.
And the pantsers? Those who don’t have time or inclination to sweat the “small stuff”?
Revel in God’s creativity demonstrated in your life. Strive for intentionality. Keep the end in sight.
Why? Because one of these days, we’ll all arrive at the end of The Story. Our individual journeys may have been long and arduous or smooth and relatively pain-free. It won’t matter, then. What will matter is that we have fought the good fight. Run the race. And entered into the ultimate happily-ever-after that only The Author could create.
So, keep your eye fixed on the finish line. Hold the hope of the end close, letting it permeate every thought, every goal, every plan…every scene of your life. It will be worth it all one day. I promise.

~~~~~
Make Haste Slowly by Amy Rognlie
Life in Short Creek, Texas is just what Callie Erickson expected it to be: calm and predictable…until the morning a gift bag—along with a dead body—appear on the doorstep of her shop. A terrible tragedy? Or something more sinister?

After moving halfway across the country for a new crack at life, Callie isn’t eager to become entangled in any more trouble than necessary. But a cryptic message, a needy neighbor, and her own heart won’t allow her give up so quickly. With the help of her indomitable Aunt Dot, and friends both old and new, Callie sets out to discover the truth. What she finds might change her life forever.


~~~~~~
 
Amy Rognlie writes inspirational fiction, including mysteries and historical novels. When not writing, she is teaching middle school language arts or leading a Bible study at the local jail. Amy lives in Central Texas with her husband, dogs (including a pug, of course), and a plethora of plants, yarn, and books.

Amazon: https://www.amazon.com/Amy-Rognlie/e/B001K8KU9W/
Website: https://amyrognlie.com/
Facebook: https://www.facebook.com/AmyRognlie/
Twitter: https://twitter.com/@amyrognlie/
Pinterest: https://www.pinterest.com/amyrognlie/

Monday, June 27, 2011

Holey Plots


Hey everyone. Annette here. Changes are coming to SW in July. This is our final, official Manuscript Monday. Beginning next month, we'll keep bringing you great guest posts and Genre Feature Days on Monday, but we'll be mixing in other things as well. Stay tuned...
Today let's talk about Plotters and Seat-of-the-Pants writers.

Which one are you: a plotter or an SOTP (seat-of-the-pants) writer? SOTPers may begin their novel with a general outline in mind, or not. Oftentimes, they just begin with a kernel of an idea, some characters, and/or a title. Then, they sit down and let the story go wherever the characters take it. Plotters, on the other hand, outline as much as possible, thinking through most, if not all, elements before striking those computer keys.

I’m a modified SOTP. I used to write completely SOTP, but lately, I’ve been challenged to learn to plot. Oh, ugh. Now, I’m not saying every SOTPer should learn to plot, I just know where God’s been leading me. I believe He wanted me to be a more flexible writer. And it’s working. Plus, I’ve found the right tools and am finding the right balance for my process. Woo-hoo! You know, that’s key—consider that a nugget freebie this fine Manuscript Monday—find the right tools for you and practice by writing so you’ll learn your best process. Every subsequent manuscript will likely be easier to pen to a rough draft form because you’re not scrambling for tools while trying to write. I keep a file box full of articles, characterization tools, plotting helps, etc.

Recently I pulled out a manuscript I wrote almost exclusively SOTP. Just sat down and wrote it. Didn’t worry about outline. Didn’t really have a goal (I know, plotters, I know—shocking!). I tapped into the river and went with it. A fun ride! But on reading it through, I found holes.

I have a confession—one of my biggest weaknesses as a modified SOTPer is pacing. *gasp* But, how cool is it to see our weaknesses? That’s when we can go find tools to shore up those places. I’ll get back to that in a moment.

So here are some helps for SOTPers who find their stories a little holey when they’re finished:

~ Pacing troubles—get people moving! Introduce a situation as a catalyst for change in the story or as a catalyst for character growth. Go with your instincts. If you sense the story is boring, it probably isn’t just that you’ve read it a million times, it probably just needs tweaking. So, bring a plot element closer to that point in the story (drag it in from the future). As a writer, I hesitated doing that, feeling afraid I wouldn’t have enough plot elements for the later parts of the story, but trust God. He’ll feed you the right information at the right time.

~ Character inconsistencies—keep a chart. Most SOTPers probably do go through the routine of writing characters sketches and filling in charts. I do and I highly recommend it. Now, if you’d rather nothing stop the flow of gushing words, that’s fine. Just work on your chart bit by bit after your character reveals his/her traits to you. Readers catch inconsistencies. Respect them enough to stop and jot a note—whether it’s backstory or hair color or aspirations or motivation. Consistency is key.

~ Losing track of the story—create an outline after you write the story. Some editors and agent  guidelines require chapter-by-chapter outlines for book proposals, so outlining isn’t completely avoidable. And just because you sit down and pound out your story from beginning to end in a flurry of weeknights and weekends doesn’t mean you’ll never need an outline. Don’t be afraid. Just begin at the beginning. Creating an outline will show you where you have pacing or plotting holes. And seeing holes is great! You can fix them before anyone else sees your work. Or you can ask your crit group to help you brainstorm.

So, SOTPers, relax. Enjoy the process. Don’t be afraid of finding holes, that’s an opportunity to produce a better story.

Write on!