Showing posts with label Carla Stewart. Show all posts
Showing posts with label Carla Stewart. Show all posts

Thursday, June 7, 2012

Organizational Tips for the Writer by Carla Stewart

Today on This-n-That Thursdays we have Carla Stewart with some great ideas to help you stay organized. It's so hard, isn't it? Be sure to comment below with any tips you have, too. I need all the help I can get! :) ~ Angie

I may have the messies when it comes to everyday clutter, but without an underlying system of structure and organization, I would go mad. I’m the girl with dust bunnies peeking from under the sofa, but the spices in my cabinet and books on my shelves are arranged alphabetically (mostly – I do have a bulging shelf with to-be-read books). I can handle general chaos, but pinched for time, I know exactly where to find what I’m looking for.

Parlay that into writing, and I’ve used the same principles. Only this time I’ve reduced it down to three letters of the alphabet: F – L – S  - sort of like floss, if it will help you remember. 

F – FOLDERS: Both real and virtual.

Real Folders:
  • I put everything in folders and label them– conference notes, character worksheets, plotting diagrams, future ideas, expenses (one folder per year), contract and publisher correspondence, etc. They can be kept in a file cabinet or cardboard file boxes, with like items grouped together or alphabetized (your choice).
  • Frequently used folders: passwords, website navigation instructions, church phone numbers, and any current writing project folders go in a basket next to my writing space – my recliner! 
  • A few times a year, I go through the “messy” piles I’ve let accumulate, sort and file. AND TOSS all the stuff I will never look at again.
 
Virtual Folders: These come in several varieties.
  • I make a new bookmark on my browser bar when I start a new book. All research materials are bookmarked to that tab and easy to track down when needed (Yes, I know there is writing software that allows this, too, so this is just a similar approach).
  • Document files in your word-processing program: Create folders for different aspects of your WIP: one for the document itself, one for publisher correspondence (especially when edits and other files are being created such as acknowledgements or discussion questions), and one for marketing (different folders for each book). This eliminates having to scroll through scads of single documents when searching for what you need.
  • Email Folders: Most email programs allow you to sort mail by folders (some even have smart folders). You can set rules so that incoming mail automatically goes into the intended folder. It helps prioritize which mail you need to check first, and messages from your agent or editor or critique partner don’t get lost in the flood of mail.

L – LISTS: I’ve always been a list maker. Nothing is too big or too small to be jotted on the list!
  • Long-term goals. Yearly goals. Monthly goals. These belong on their own list, preferable in a notebook or a file that you review and revise periodically.
  • Short-term goals. A weekly or daily list of current projects and errands that must be addressed now or in the near future. This is usually scribbled out and added to daily as a reminder of what needs to be done. I include both writing tasks (blog posts, word count goals, notes to write and send, etc.) and personal or family tasks (appointments, graduation cards to buy, pay bills, do laundry, etc.) I cross off each item when it’s done. There’s something very gratifying about accomplishments, so whether they’re big or small, you get a sense of doing something. Making the list also helps ensure that you haven’t overlooked an important task.
  • Calendar: I check this daily and look ahead for the next week or two when making my list and include upcoming events. Syncing the calendar on your computer with your phone allows you to schedule lunches or other appointments wherever you are. 
  • Clump together errands and do as many as possible at one time to ensure more quality writing time.

S – SPREADSHEETS: What would we do without them?
  • For Writing: My friend Myra Johnson made me a believer in using spreadsheets to keep track of my writing. You can view and download her Novel Planning Workbook Excel Sheets here: http://myrajohnson.com/Myra_Johnson,_Author/Writing_Helps.html. The beauty of a spreadsheet is that once you have a template (master), you just “save as” for your new project and you’re good to go.
  • For Marketing: I tried something new with the release of Stardust and made a spreadsheet to keep track of blog posts I was committed to, appearances, and articles to write. I included the following headings: NAME (Blog or event), email contact, Type of request, Date Info Rec’d, Due Date, Date Sent, Post Date, and whether a giveaway was included. When I sent an article or post, I changed the font color to indicate I was finished. This was easy to add to as new requests came in, and I had a quick overview to see where I was scheduled for the day. It was a HUGE help!
  • Database: Again, an important document for writers to have. Once it’s set up, it’s easy to add new contacts for your newsletter or mailings for special events. Update frequently to avoid panic when it’s time for a new mailing or to announce an event.

There is no single right way to organize your writing and your time, but find what works for you. I constantly revise and try to find new ways to organize, so like they say, I’m a Work-In-Progress. I’d love to hear any tips you might have, too.


How about you? Do you have any tips to stay organized? Be sure and let us know in a comment below.


Carla Stewart’s writing reflects her passion for times gone by. A child of the fifties and sixties, she recalls it as a glorious time when the summers were lazy, colors were brighter, and music filled her heart. Carla’s desire is to take readers back to the times when they knew they were loved, to that warm, familiar place in their hearts called “home.”
Her award-winning novels include Chasing Lilacs and Broken Wings. Stardust is her newest release. She loves readers and participating in book club discussions. You can learn more about Carla and ways to connect with her at www.carlastewart.com.

STARDUST  
In the bayou country of East Texas, the neon sign of the STARDUST stands silent, no longer beckoning visitors to its cozy cottages. But two days after Georgia Peyton buries her unfaithful husband, a curious thing happens: the STARDUST sign sputters to life and winks at her. Sustained by a memory from the past and determined to build a new life, Georgia acquires the STARDUST with hopes of breathing new life into it too.
But the guests who arrive aren't what Georgia expects: her gin-loving mother-in-law; her dead husband's mistress; an attractive drifter who's tired of the endless road; and an aging Vaudeville entertainer with a disturbing link to Georgia's past. Dreams of a new life are crippled amid the havoc. Georgia's only hope is that she can find the courage to forgive those who've betrayed her, the grace to shelter those who need her, and the moxie to face the future. One thing is certain: under the flickering neon of the STARDUST, none of their lives will ever be the same.

LINKS:
You can find me here:
Follow me on Twitter: www.twitter.com/#!/ChasingLilacs
Amazon link to Stardust:


Friday, February 5, 2010

My Writing Journey by Carla Stewart

Earlier this week on Seriously Write, Carla Stewart gave “Ten Tips for Engaging Your Readers.” We’re thrilled that her debut novel, Chasing Lilacs, releases this June and that she’s returned on this Fortifying Friday to share her journey to publication. Enjoy!


WAITING ON THE LORD

But they that wait upon the LORD shall renew their strength; they shall mount up with wings as eagles; they shall run, and not be weary; and they shall walk, and not faint. (Isaiah 40:31 KJV)

In 2001, when God nudged me to follow my writing dream, I had confidence in my instincts—my better-than-average spelling and grammar, my ability to put together a coherent sentence. I read voraciously and understood the power of story. I pounded out a novel in three months and skipped off to my first writing conference. Even though one of the speakers warned it might take several years to have a book published, I had a feeling he was misinformed and that I would be soaring with eagles in no time.

My first novel did get an editor request at the conference and it was possibly the quickest rejection I ever received. The book, a poorly plotted mystery, went to the bottom of my closet, and I switched genres, trying my hand at women’s fiction. The only problem was my protagonists were unsympathetic, my premises boring.

The bottom line was that, while I had some skills, I had no idea how to put them to work to write a novel, so my season of waiting began. And while waiting implies a certain passive attitude, I’m convinced Isaiah didn’t mean that at all. They shall run and they shall walk indicates we are to be engaged in the work, gaining strength and wisdom as we wait.

I immersed myself into learning the craft and instead of expecting a quick sale, I aimed for excellence. I was invited to the Guideposts Writers Workshop in Rye, New York and had the joy of working with editors of that wonderful publication. I entered and won several contests (and lost my fair share too).

In 2004, I began a new story—one that grabbed hold and wouldn’t let me go. When I finished, I began querying agents and received over thirty rejections. I wrote other things, but didn’t forget the story of my heart. Then in 2006, I learned about ACFW and applied for a paid critique at their annual conference. I’m still stunned at the encouragement I received. Over the next six months, I had a freelance editor look at the manuscript, did a complete rewrite, and entered the Genesis contest in 2007.

It was tricky because my story, set in 1958, didn’t qualify as contemporary or women’s fiction, but according to the guidelines fell into the historical category. No one was more surprised (or delighted) than me when A Dandelion Day (my novel’s title back then) won! Over the next several months I waited to hear from those who had requested my proposal, and in April of 2008, signed with an amazing agent. Seven months later, the manuscript sold to FaithWords (Hachette Book Group).

This June, you will find me soaring, maybe not as gracefully as an eagle, but flapping my wings nonetheless, when Chasing Lilacs—my debut novel—releases. NINE years after I began this journey toward publication.

Perseverance counts. So does learning the craft. You may grow weary and feel faint, but don’t lose heart. Run toward your goal, and God will provide direction and strength. It’s an awesome calling and privilege to be a writer. So is waiting on the Lord.

Thanks so much, Dawn and Annette, for having me here. Blessings to you and your readers.


A two-time ACFW Genesis winner, Carla Stewart is a Guideposts Writers Workshop alumna and has been published in Guideposts, Angels on Earth, and several regional magazines and anthologies. Her debut novel, Chasing Lilacs, releases in June 2010 with FaithWords. Carla enjoys a good cup of coffee, weekend getaways with her husband, and the antics of their six grandchildren.

Find out more:

Wednesday, February 3, 2010

Ten Tips for Engaging Your Readers by Carla Stewart

Annette and I have attended the American Christian Fiction Writers conference for years and have enjoyed Carla Stewart's gentle presence as another attendee. We’re thrilled that her debut novel, Chasing Lilacs, releases this June. She’ll return to Seriously Write this Friday to share her journey to publication.


TEN TIPS FOR ENGAGING YOUR READERS

When asked for advice on writing, Elmore Leonard once said, “I try to leave out the parts that people skip.” Ouch. I don’t want people skipping over the words I’ve so carefully written and poured my heart into. And you don’t either, so assuming you have great characters and a plot to die for, here are ten tips to add pizzazz to your prose and keep your readers engaged all the way through your book. Here’s the challenge: See if you can employ three or more of these elements on every page.

· Engage the senses: sight, sound, smell, taste, and touch. Smell, in particular, is a powerful “hit” as it is the only sense associated with memory. What do you think of when you smell cinnamon? New rain? Honeysuckle or lilacs?

· Emotions. Allow your readers to experience your character’s rage, fear, sorrow, a tender caress or being green with envy, victorious, joyful, betrayed, doubtful. How? Showing, of course. Hurl those vases through the picture window and portray your hero’s sagging shoulders when shunned by the girl of his dreams.

· Engage your reader’s imagination by taking them to another galaxy, the Amazon jungle, a musty bookstore, a saloon in the 1800s. Treat them to the haute couture of Fifth Avenue or the inner workings of veterinary clinic. Sprinkle the details in gradually and avoid information dumps (one of the parts people skip).

· White space. Have you ever come upon a long stretch of narrative or internal thought and found yourself skimming? Break up these passages by tossing in some dialogue or two-word paragraphs.

· Speaking of dialogue—make it snappy. Whether fun and sassy, with a touch of irony, or filled with an ominous threat, keep the story moving forward with careful attention to the unique way your characters speak.

· Teasers for what lies ahead. How about that unplanned child? The big dance? Dreaded lab results? Does your character have a secret? Sprinkle hints throughout your novel to make your readers squirm.

· Information nuggets: aka known as “factoids” which make the reader feel smarter than a fifth grader. Examples: Secret ingredients, how to spot counterfeit money, the difference between a rifle and a shotgun.

· Give ‘em the old Razzle-Dazzle: Craft poetic or insightful metaphors and similes that bring fresh perspectives to your prose. Avoid clichés and worn out phrases that make the reader yawn.

· Micro Tension: In The Fire in Fiction, Donald Maass advocates moment-by-moment tension to keep the reader in a constant state of suspense over what will happen not in the next chapter, but in the next sentence. In dialogue, this is often found in subtext: words not spoken, but that carry an undercurrent that sizzles.

· Hooks: These don’t occur on every page and come in many shapes and sizes. Whether you use a cliff hanger, an upset in status quo, slip in a tidbit of new information, or stop in mid-scene, don’t overlook a great hook.

There are other techniques, but if you start here, you’ll give your readers a reason to keep turning the pages. Try it on your current manuscript and watch the magic begin! I’m pulling for you.


A two-time ACFW Genesis winner, Carla Stewart is a Guideposts Writers Workshop alumna and has been published in Guideposts, Angels on Earth, and several regional magazines and anthologies. Her debut novel, Chasing Lilacs, releases in June 2010 with FaithWords. Carla enjoys a good cup of coffee, weekend getaways with her husband, and the antics of their six grandchildren.

Find out more: