Showing posts with label #FirstDrafts. Show all posts
Showing posts with label #FirstDrafts. Show all posts

Thursday, March 1, 2018

Write Ugly by Susan Tuttle


Some would say there’s nothing more beautiful than a blank page. That wide expanse that allows a writer to dream of unending possibilities. And that feeling typically lasts all of 2.4 seconds for me (and others, if I can believe my other writer friends). See, many of us stare at that blank page unwilling to ugly it up with our words, because let’s be honest; rough drafts can be awfully ugly.

But you cannot do anything with a blank page. Oh, it’ll remain mar free and pristine, but no book reached The End in a pristine condition. For a writer to make progress, you have to…get this…WRITE. In all its messy, dreadful, ghastly, glory, you need to get words on that blank page.

My problem is with each new project I forget this. I’ve been staring at a blank page too long. But recently while editing a work by my crit partner I was reminded that ugly writing is made beautifully stunning in the editing stages. I’d watched her struggle with a story, unsure even at times of where it would go, but she put words on paper nonetheless. Then she began to shape them into a striking, witty, charming novel through individual word changes, sewing up plot holes, and reworking paragraphs. None of that could occur until after she had the story on paper though.

You see, our first draft allows us to get to know our characters and their story. It doesn’t matter if you’re a planner or pantser, there are elements of a story that don’t come out until you’re writing it. And once you reach the first The End you can go back with new insight on those threads and characters so that you’re able to enhance the story with what you’ve discovered.

But first you must write ugly. Give yourself the freedom to do that. It’s a challenge I’m issuing to myself and to you today. Now let’s go after those words!
 
Susan L. Tuttle lives in Michigan where she’s happily married to her best friend and is a homeschooling mom of three. She’s firmly convinced that letters were meant for words, not math, and loves stringing them together into stories that inspire, encourage, and grow women into who God created them to be. Romance, laughter, and cookies are three of her favorite things, though not always in that order. You can connect with Susan at her blog, Steps, Facebook, or Twitter.

Tuesday, July 11, 2017

Revise, Rewrite, or Start Over? by Marie Wells Coutu

How many drafts does it take to finish a book? And what, exactly, constitutes a “draft,” anyway?
Marie Wells Coutu
 

When I hear of someone writing six drafts—or twenty—of a novel, I’ve wondered what that entails. Does it mean she started fresh each time? Or is it simply how many times she went through the book making revisions?

An article in the July/August issue of Poets & Writers tells of an author working through several drafts of his debut novel with his agent and still having her reject it. He then “began the laborious process of retyping the entire novel all over again.” On that go-round, he changed his approach to telling the story, and the book was published two years later, but it sounds like he started over.


I’m on the ?? draft of my current work-in-progress. I’ve revised the beginning numerous times, based on comments from contest judges. (I’m grateful to say it has been a finalist in five different ones!) I’ve outlined and LINDYHOPped the story, rewritten the synopsis, waffled over whether the book is historical romance or historical with a romance thread. My critique partner and three professionals have weighed in with suggestions, and I’ve wordsmithed the first quarter of the book. Now I’m revising the plot yet again.


I’m at the point where I just want to get it DONE.


But here’s what I’ve come to realize: I need a writing and revision process.
Every successful author has his or her own process. James Scott Bell provides suggestions and checklists in Revision & Self-Editing. In Stein on Writing, Sol Stein calls it “triage,” meaning you tackle the most important fixes first.


Every writer will have his or her own method, but I’m beginning to figure out what mine needs to be. To produce a finished manuscript in less time, I need to make sure I have a solid plot early in the process. (I’m definitely not a “pantser.”) Then I should write a complete first draft before beginning revisions. When I’m satisfied the overall story works, my final step would be the wordsmithing—eliminating weasel words, fine-tuning the dialogue, ensuring all five senses are incorporated, making sure I’m showing and not telling, etc.


It won’t be easy. Tweaking the words and sentence structure is one of the first things I want to do. But I’m going to try putting that off until last, in hopes I can revise instead of having to completely rewrite the book over and over.


How about you? Do you have a set process for revising and editing your work? Or is it different with every book? Share in the comments.


About the Author
Marie Wells Coutu began making up stories soon after she learned to talk. At age seven, she convinced neighborhood kids to perform a play she had written. After a career writing for newspapers, magazines, state and local governments, and the Billy Graham Evangelistic Association, she returned to her first love—writing fiction—at the age of fifty-five. 
The Secret Heart
by Marie Wells Coutu

Her newest novel, The Secret Heart, released in February from Write Integrity Press. Loosely based on the lives of Bathsheba and David, The Secret Heart is the third book in the Mended Vessels series. A prequel novelette of the heroine’s journal called The Divided Heart is available for the Kindle. 

Books in the series are contemporary re-imaginings of the stories of biblical women, including Queen Esther and the woman at the well. 

Her debut novel, For Such a Moment, won the Books of Hope Contest. Thirsting for More, the second book in the series was a finalist in the 2016 Selah Awards Contest and a semi-finalist in the Royal Palm Literary Awards sponsored by Florida Writers Association. 

An unpublished historical novel has also placed in five contests. She and her husband divide their time between Florida and Iowa. You can find more about Marie and her novels on her Facebook page (Author Marie Wells Coutu), at her website (MarieWellsCoutu.com), or follow her on Twitter (@mwcoutu)or on  Amazon.comhttp://www.amazon.com/. 

Thursday, May 18, 2017

Bring on the Clichés by Jenna Victoria

Huh?

“Avoid Clichés” is something drilled into the psyche of every aspiring writer. We are told to send each and every cliché in our manuscripts off to oblivion. Using trite phrases is second nature to us, though. We fall back on them like well-worn shoes. They say what *we* meant to say. They fit like a glove.
Those tried and true sentences flow like honey when we attempt to provide our readers with a bird’s eye view of our story world or insight into who’s who in our cast of characters.
Cliché is a common denominator as we breathe life into the personality of our characters, but they turn them into cardboard cutouts or caricatures. Alice has blonde hair (caught back with a blue ribbon) and is sweet and unassuming. Rosalita, a flamboyant spitfire, has ebony curls that tumble down her back, and eyes that flash when she’s angry. Gareth is a dark-eyed, dark-haired loner with a haunted expression and a gaze that sears into our very souls. Naturally.
Even our villains and their motivations can fall under the umbrella of cliché: the owner of big, bad company greedily covering up environmental issues, or an unrepentant mercenary hired to kill the heroine or the hero, or their family. Don’t forget the wild-eyed, crazy religious zealot who keeps his wife or daughter on a short leash or under lock and key.
Readers encountering clichés or careworn plots or stereotypes get irritated and think, “Can’t they write something original?” and put down the rest of the book without finishing. That’s bad.
Even worse, the use of cliché is what stands in the way of an agent or editor seeing your own personal voice – because you’re hiding that voice behind the turn of a well-worn phrase or an oft-used metaphor.
So, why use Clichés?  Here are four reasons to consider.
Cliché’s give breathing room to writers.
Give yourself permission to write clichés in the first round.  Use them as placeholders, to put a good-enough description in place as you move forward to finish the next chapter, and the next. If you dither over how to describe something, throw in a cliché and call it a day. A rolling stone gathers no moss, after all.
Then, when the book is completed in rough draft, you can go back to page one and start hunting, changing each instance of ho-hum into a fresh example of brilliance.
Let the cliché serve as fuel for similar, but less hackneyed phrases. I took an online class called the Rule of Six for Plotting with author Shirley Jump, and learned that the first five ideas (or thoughts) we have as plot ideas or descriptions are the overused ones, or low hanging fruit. Write down those five cliché’s that comes to mind – and then think deeper. How else can you say the same thing?  Once we get to the sixth idea, it’s usually something original.
If your hero compliments the heroine by saying, “Your eyes shine brighter than the moon,” that’s a cliché. However, if you add the words, “on steroids” – they give it new life. What can you add to the end of a cliché to make it fresh for your fictional situation?
The phrase “Your eyes shine brighter than the moon. On steroids” above, gets even more of a punch if your hero (or the heroine!) is a body builder. The statement turns into something believable, and becomes an inside joke that the reader “gets”.
Cliché’s are springboards. Associate a new word with a cliché - for instance, “pulse” typically throbs, pounds, stutters, etc. What different verb can you add? Pinches? Pushes? What other body part can you focus on to avoid the pulsing clichés? Ears? Nose? Brain? Fingertips?
Dead cliché’s can “get a life” if you add to them.
Give cliché’s genuine details about a character’s life- and they become infinitely more interesting. Relate a cliché to your character’s family, or profession, or superstitions and it soars above the rest.
Of course, when all is said and done, clichés do detract from your writing ability, and not add to it. Take this blog post as an example. How many clichés could you identify? More than a baker’s dozen, I wager. I guarantee your eyes glossed over each one.  Not the reaction a writer wants from a reader.
Ultimately, the very best way to use a cliché is in avoidance. Tell the story that only you can tell – a story that uses words that no-one else on earth has ever written in that exact same way.
And you’ll see. The world will become your (literary) oyster.
Title:  Love Among the Lilacs
Publisher: Forget Me Not Romances
Blurb:  Bookkeeper Mollie Wright knows about living on the streets, and her purchase of sweet Lilac Cottage is a dream come true. She is determined to stay and fight when a legal error puts her ownership at risk. Attorney Sean Grady never wanted his great-aunts to sell their cottage in Westchester County, New York, so when a paperwork snafu puts the deal on hold, he moves swiftly to evict the pretty, feisty squatter. Mollie finds unexpected allies in Grady Cove neighbors and a member of Sean's own family but knows the clock is ticking. Will a theft and her past secrets force a showdown to heartache, or will Mollie and Sean discover home is truly where your heart is?
Release Date: April 4, 2017
Format: E-book, Paperback
Amazon Link: http://goo.gl/5PnFXF
Bio:  Ever since her grandfather co-created Twinkies, Snowballs & Hostess cupcakes for Intercontinental Baking Company, circa 1955, Jenna has yet to taste a cake she hasn't liked.
Jenna  writes books for readers who enjoy sweet & compelling romances, and also for those who look for her  “fiction that feeds your faith” titles – happily-ever-after romance & romantic suspense stories with a Christian world view. Her stories emulate those she enjoys reading…with a heroine who is in grave danger & a hero who is smart enough to get out of her way as she kicks butt & takes down names… and those that feature  satisfying fairy-tale-endings.
Her clean romances won’t put you into a diabetic coma, and her faith-based romances aren’t preachy or unrealistic. It is her glad purpose to glorify God and His sacrificial love through His Son, Jesus Christ through books that illustrate hope & peace in unbearable situations. Her first triple negative breast cancer diagnosis in 2012 has led to surgeries, radiation,  reoccurrences and incurable metastasis. Still, Jenna continues to praise God and trust His oversight in her life; and continues to write more books.
Social Media Contacts
Amazon Author Page
https://www.amazon.com/author/jennavictoria/
Facebook  www.facebook.com/jennavictoriaauthor/
Blog - Bookish By Design: http://bookishbydesign.com
Book Review Blog    http://www.jennavictoria.com/category/on-jennas-shelf-reviews/
Instagram  www.instagram.com/jenna_victoria_author/